50,000 words in a month is most definitely a daunting goal, whether you’re a NaNoWriMo newbie or a seasoned veteran. This year, I’m here to help!
Given this vague advice, many writers find ourselves resorting to adjectives—lots of adjectives—to describe everything on the page in great detail. But the result is often clunky, resulting in prose that looks more like the set directions for a movie script than a moving scene in a novel.
As two teens get to know each other at the hospital that saved both their lives, they discover that, together, they may just be brave enough to reinvent their dreams.
Courtney Summers' latest novel, Sadie, kept me turning pages way past my bedtime.
In the days that followed the class, as I obsessed over my painting and told everyone who would listen how scared I’d been but how happy I ended up, I realized those three hours were, in many ways, a highly condensed reflection of the writing process.
When we talk about writing, we often talk about setting the scene and evoking a sense of place, giving readers a backdrop to imagine. But what about the way the place affects the characters?
It’s a surprisingly difficult question, isn’t it? Especially given that you’re the one writing the thing, agonizing over every scene, every line of dialogue, and every choice your characters make.
We tend to create our characters from the inside out, but what if we gave it a shot from the outside in?
Last week, Carrie Fountain launched her new novel, I’m Not Missing, at Book People, here in Austin, and I couldn’t wait to hear her talk about her writing process. Fountain started as a poet, and I was particularly curious about how she thought the two disciplines—poetry and prose—worked together.
Storytellers is part of my “Literary Luminary” series, featuring insights on writing and publishing straight from the folks who do it for a living. Storyteller Stephen G. Yanoff is a former insurance company executive from Long Island, New York. He worked in Manhattan for over twenty years and became an acknowledged expert in the field of high-risk insurance. His mystery novels and nonfiction history books have won over twenty-five national and international book awards.